Music Education at School: Too Little and Too Late? Evidence From a Longitudinal Study on Music Training in Preadolescents.

cognitive development educational psychology intensive training language phonological skills visuo-spatial skills

Journal

Frontiers in psychology
ISSN: 1664-1078
Titre abrégé: Front Psychol
Pays: Switzerland
ID NLM: 101550902

Informations de publication

Date de publication:
2019
Historique:
received: 22 06 2019
accepted: 15 11 2019
entrez: 11 1 2020
pubmed: 11 1 2020
medline: 11 1 2020
Statut: epublish

Résumé

It is widely believed that intensive music training can boost cognitive and visuo-motor skills. However, this evidence is primarily based on retrospective studies; this makes it difficult to determine whether a cognitive advantage is caused by the intensive music training, or it is instead a factor influencing the choice of starting a music curriculum. To address these issues in a highly ecological setting, we tested longitudinally 128 students of a Middle School in Milan, at the beginning of the first class and, 1 year later, at the beginning of the second class. 72 students belonged to a Music curriculum (30 with previous music experience and 42 without) and 56 belonged to a Standard curriculum (44 with prior music experience and 12 without). Using a Principal Component Analysis, all the cognitive measures were grouped in four high-order factors, reflecting (a) General Cognitive Abilities, (b) Speed of Linguistic Elaboration, (c) Accuracy in Reading and Memory tests, and (d) Visuospatial and numerical skills. The longitudinal comparison of the four groups of students revealed that students from the Music curriculum had better performance in tests tackling General Cognitive Abilities, Visuospatial skills, and Accuracy in Reading and Memory tests. However, there were no significant curriculum-by-time interactions. Finally, the decision to have a musical experience before entering middle school was more likely to occur when the cultural background of the families was a high one. We conclude that a combination of family-related variables, early music experience, and pre-existent cognitive make-up is a likely explanation for the decision to enter a music curriculum at middle school.

Identifiants

pubmed: 31920782
doi: 10.3389/fpsyg.2019.02704
pmc: PMC6930811
doi:

Types de publication

Journal Article

Langues

eng

Pagination

2704

Informations de copyright

Copyright © 2019 Carioti, Danelli, Guasti, Gallucci, Perugini, Steca, Stucchi, Maffezzoli, Majno, Berlingeri and Paulesu.

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Auteurs

Desiré Carioti (D)

Psychology Department, University of Milano-Bicocca, Milan, Italy.
Department of Humanistic Studies, University of Urbino Carlo Bo, Urbino, Italy.

Laura Danelli (L)

Psychology Department, University of Milano-Bicocca, Milan, Italy.

Maria T Guasti (MT)

Psychology Department, University of Milano-Bicocca, Milan, Italy.

Marcello Gallucci (M)

Psychology Department, University of Milano-Bicocca, Milan, Italy.

Marco Perugini (M)

Psychology Department, University of Milano-Bicocca, Milan, Italy.

Patrizia Steca (P)

Psychology Department, University of Milano-Bicocca, Milan, Italy.

Natale Adolfo Stucchi (NA)

Psychology Department, University of Milano-Bicocca, Milan, Italy.

Angelo Maffezzoli (A)

Negri-Calasanzio Middle School, San Siro, Milan, Italy.

Maria Majno (M)

SONG onlus - Sistema in Lombardia, Milan, Italy.

Manuela Berlingeri (M)

Department of Humanistic Studies, University of Urbino Carlo Bo, Urbino, Italy.
Center of Developmental Neuropsychology, ASUR Marche, Pesaro, Italy.
NeuroMi, Milan Center for Neuroscience, Milan, Italy.

Eraldo Paulesu (E)

Psychology Department, University of Milano-Bicocca, Milan, Italy.
I.R.C.C.S. Galeazzi, Orthopedic Institute Milano, Milan, Italy.

Classifications MeSH