Neural multimodal integration underlying synchronization with a co-performer in music: Influences of motor expertise and visual information.


Journal

Neuroscience letters
ISSN: 1872-7972
Titre abrégé: Neurosci Lett
Pays: Ireland
ID NLM: 7600130

Informations de publication

Date de publication:
16 03 2020
Historique:
received: 06 11 2019
revised: 20 01 2020
accepted: 30 01 2020
pubmed: 6 2 2020
medline: 20 4 2021
entrez: 5 2 2020
Statut: ppublish

Résumé

Sensorimotor synchronization is a general skill that musicians have developed to the highest levels of performance, including synchronization in timing and articulation. This study investigated neurocognitive processes that enable such high levels of performance, specifically testing the relevance of 1) motor resonance and sharing high levels of motor expertise with the co-performer, and 2) the role of visual information in addition to auditory information. Musicians with varying levels of piano expertise (including non-pianists) performed on a single piano key with their right hand along with recordings of a pianist who performed simple melodies with the left hand, synchronizing timing and articulation. The prerecorded performances were presented as audio-only, audio-video, or audio-animation stimuli. Double pulse Transcranial Magnetic Stimulation (dTMS) was applied to test the contribution of the right dorsal premotor cortex (dPMC), an area implicated in motor resonance with observed (left-hand) actions, and the contribution of the right intraparietal sulcus (IPS), an area known for multisensory binding. Results showed effects of dTMS in the conditions that included visual information. IPS stimulation improved synchronization, although this effect was found to reverse in the video condition with higher levels of piano expertise. dPMC stimulation improved or worsened synchronization ability. Level of piano expertise was found to influence this direction in the video condition. These results indicate that high levels of relevant motor expertise are required to beneficially employ visual and motor information of a co-performer for sensorimotor synchronization, which may qualify the effects of dPMC and IPS involvement.

Identifiants

pubmed: 32014517
pii: S0304-3940(20)30073-2
doi: 10.1016/j.neulet.2020.134803
pii:
doi:

Types de publication

Journal Article Research Support, Non-U.S. Gov't

Langues

eng

Sous-ensembles de citation

IM

Pagination

134803

Informations de copyright

Copyright © 2020 Elsevier B.V. All rights reserved.

Déclaration de conflit d'intérêts

Declaration of Competing Interest None.

Auteurs

Renee Timmers (R)

Department of Music, The University of Sheffield, 34 Leavygreave Road, Sheffield, S3 7RD, UK. Electronic address: r.timmers@sheffield.ac.uk.

Jennifer MacRitchie (J)

MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Locked Bag 1797, Penrith, NSW, 2751, Australia. Electronic address: j.macritchie@westernsydney.edu.au.

Siobhan M Schabrun (SM)

Brain Rehabilitation and Neuroplasticity Unit, Western Sydney University, Locked Bag 1797, Penrith, NSW, 2751, Australia. Electronic address: s.schabrun@neura.edu.au.

Tribikram Thapa (T)

Brain Rehabilitation and Neuroplasticity Unit, Western Sydney University, Locked Bag 1797, Penrith, NSW, 2751, Australia. Electronic address: tribikram.thapa@monash.edu.

Manuel Varlet (M)

MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Locked Bag 1797, Penrith, NSW, 2751, Australia; School of Psychology, Western Sydney University, Locked Bag 1797, Penrith, NSW, 2751, Australia. Electronic address: m.varlet@westernsydney.edu.au.

Peter E Keller (PE)

MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Locked Bag 1797, Penrith, NSW, 2751, Australia. Electronic address: p.keller@westernsydney.edu.au.

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Classifications MeSH