Postural Control in Lyric Singers.


Journal

Journal of voice : official journal of the Voice Foundation
ISSN: 1873-4588
Titre abrégé: J Voice
Pays: United States
ID NLM: 8712262

Informations de publication

Date de publication:
Jan 2022
Historique:
received: 06 03 2020
revised: 23 04 2020
accepted: 28 04 2020
pubmed: 28 5 2020
medline: 12 1 2022
entrez: 28 5 2020
Statut: ppublish

Résumé

Singers are unique musicians because they use their whole body as a musical instrument. Posture and proprioception are key components for a robust and healthy voice. This study aimed to analyze the postural control of lyric singers in different sensorimotor conditions. Seventeen lyric singers were compared to a control group of 12 participants in static postural control test in eyes open (C1) and eyes closed (C2) conditions. Postural control of singers was also assessed in four specific singing conditions: singing posture eyes open (C3) and eyes closed (C4), vocalization (C5) and free aria (C6), low values being representative of good postural control. Singers also completed the Singing Voice Handicap Index (SVHI) French version, low scores reflecting a good SVHI result. No significant difference was observed between the two groups in C1 and C2. Postural control of singers was more accurate in C3 than in C1. Increased values in all postural parameters were seen in the singing conditions. Scores obtained at the SVHI were correlated to the area covered by the center of foot pressure in C5, low scores at the SVHI being correlated with low area values in this postural condition. Singing is a multitask situation which involves several movements including breathing, and management of factors such as stress. This can affect balance and so rigorous work on posture and proprioception is required as soon as a singer begins to perform in order to take care of the voice.

Sections du résumé

BACKGROUND BACKGROUND
Singers are unique musicians because they use their whole body as a musical instrument. Posture and proprioception are key components for a robust and healthy voice.
OBJECTIVE OBJECTIVE
This study aimed to analyze the postural control of lyric singers in different sensorimotor conditions.
METHODS METHODS
Seventeen lyric singers were compared to a control group of 12 participants in static postural control test in eyes open (C1) and eyes closed (C2) conditions. Postural control of singers was also assessed in four specific singing conditions: singing posture eyes open (C3) and eyes closed (C4), vocalization (C5) and free aria (C6), low values being representative of good postural control. Singers also completed the Singing Voice Handicap Index (SVHI) French version, low scores reflecting a good SVHI result.
RESULTS RESULTS
No significant difference was observed between the two groups in C1 and C2. Postural control of singers was more accurate in C3 than in C1. Increased values in all postural parameters were seen in the singing conditions. Scores obtained at the SVHI were correlated to the area covered by the center of foot pressure in C5, low scores at the SVHI being correlated with low area values in this postural condition.
CONCLUSIONS CONCLUSIONS
Singing is a multitask situation which involves several movements including breathing, and management of factors such as stress. This can affect balance and so rigorous work on posture and proprioception is required as soon as a singer begins to perform in order to take care of the voice.

Identifiants

pubmed: 32456837
pii: S0892-1997(20)30154-5
doi: 10.1016/j.jvoice.2020.04.019
pii:
doi:

Types de publication

Journal Article Review

Langues

eng

Sous-ensembles de citation

IM

Pagination

141.e11-141.e17

Informations de copyright

Copyright © 2020 The Voice Foundation. Published by Elsevier Inc. All rights reserved.

Auteurs

Laetitia Peultier-Celli (L)

University of Lorraine, EA 3450-Development, Adaptation and Handicap, Faculty of Medicine, Vandoeuvre-lès-Nancy, France; Laboratory for the Analysis of Posture, Equilibrium and Motor Function (LAPEM), University Hospital of Nancy, Vandoeuvre-lès-Nancy, France.

Mathilde Audouin (M)

University of Lorraine, EA 3450-Development, Adaptation and Handicap, Faculty of Medicine, Vandoeuvre-lès-Nancy, France; Laboratory for the Analysis of Posture, Equilibrium and Motor Function (LAPEM), University Hospital of Nancy, Vandoeuvre-lès-Nancy, France.

Christian Beyaert (C)

University of Lorraine, EA 3450-Development, Adaptation and Handicap, Faculty of Medicine, Vandoeuvre-lès-Nancy, France; Laboratory for the Analysis of Posture, Equilibrium and Motor Function (LAPEM), University Hospital of Nancy, Vandoeuvre-lès-Nancy, France; Regional Institute of Physical Medicine and Rehabilitation, Nancy, France.

Philippe Perrin (P)

University of Lorraine, EA 3450-Development, Adaptation and Handicap, Faculty of Medicine, Vandoeuvre-lès-Nancy, France; Laboratory for the Analysis of Posture, Equilibrium and Motor Function (LAPEM), University Hospital of Nancy, Vandoeuvre-lès-Nancy, France; Department of Pediatric Otolaryngology, University Hospital of Nancy, Vandoeuvre-lès-Nancy, France. Electronic address: philippe.perrin@univ-lorraine.fr.

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Classifications MeSH