Changes in Brain Responses to Music and Non-music Sounds Following Creativity Training Within the "Different Hearing" Program.

auditory perception brain plasticity creativity music composition music education music training task-related fMRI

Journal

Frontiers in neuroscience
ISSN: 1662-4548
Titre abrégé: Front Neurosci
Pays: Switzerland
ID NLM: 101478481

Informations de publication

Date de publication:
2021
Historique:
received: 30 04 2021
accepted: 06 09 2021
entrez: 18 10 2021
pubmed: 19 10 2021
medline: 19 10 2021
Statut: epublish

Résumé

The "Different Hearing" program (DHP) is an educational activity aimed at stimulating musical creativity of children and adults by group composing in the classroom, alternative to the mainstream model of music education in Czechia. Composing in the classroom in the DHP context does not use traditional musical instruments or notation, instead, the participants use their bodies, sounds originating from common objects as well as environmental sounds as the "elements" for music composition by the participants' team, with the teacher initiating and then participating and coordinating the creative process, which ends with writing down a graphical score and then performing the composition in front of an audience. The DHP methodology works with a wide definition of musical composition. We hypothesized that the DHP short-term (2 days) intense workshop would induce changes in subjective appreciation of different classes of music and sound (including typical samples of music composed in the DHP course), as well as plastic changes of the brain systems engaged in creative thinking and music perception, in their response to diverse auditory stimuli. In our study, 22 healthy university students participated in the workshop over 2 days and underwent fMRI examinations before and after the workshop, meanwhile 24 students were also scanned twice as a control group. During fMRI, each subject was listening to musical and non-musical sound samples, indicating their esthetic impression with a button press after each sample. As a result, participants' favorable feelings toward non-musical sound samples were significantly increased only in the active group. fMRI data analyzed using ANOVA with

Identifiants

pubmed: 34658759
doi: 10.3389/fnins.2021.703620
pmc: PMC8517178
doi:

Types de publication

Journal Article

Langues

eng

Pagination

703620

Informations de copyright

Copyright © 2021 Arkhipova, Hok, Valošek, Trnečková, Všetičková, Coufalová, Synek, Zouhar and Hluštík.

Déclaration de conflit d'intérêts

The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.

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Auteurs

Anna Arkhipova (A)

Department of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.

Pavel Hok (P)

Department of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.

Jan Valošek (J)

Department of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.
Department of Biomedical Engineering, University Hospital Olomouc, Olomouc, Czechia.

Markéta Trnečková (M)

Department of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.
Department of Computer Science, Faculty of Science, Palacký University Olomouc, Olomouc, Czechia.

Gabriela Všetičková (G)

Department of Music Education, Faculty of Education, Palacký University Olomouc, Olomouc, Czechia.

Gabriela Coufalová (G)

Department of Music Education, Faculty of Education, Palacký University Olomouc, Olomouc, Czechia.

Jaromír Synek (J)

Department of Music Education, Faculty of Education, Palacký University Olomouc, Olomouc, Czechia.

Vít Zouhar (V)

Department of Music Education, Faculty of Education, Palacký University Olomouc, Olomouc, Czechia.

Petr Hluštík (P)

Department of Neurology, Faculty of Medicine and Dentistry and University Hospital Olomouc, Olomouc, Czechia.

Classifications MeSH