Shared mental representations underlie metaphorical sound concepts.


Journal

Scientific reports
ISSN: 2045-2322
Titre abrégé: Sci Rep
Pays: England
ID NLM: 101563288

Informations de publication

Date de publication:
30 03 2023
Historique:
received: 28 10 2022
accepted: 24 03 2023
medline: 3 4 2023
entrez: 30 3 2023
pubmed: 31 3 2023
Statut: epublish

Résumé

Communication between sound and music experts is based on the shared understanding of a metaphorical vocabulary derived from other sensory modalities. Yet, the impact of sound expertise on the mental representation of these sound concepts remains blurry. To address this issue, we investigated the acoustic portraits of four metaphorical sound concepts (brightness, warmth, roundness, and roughness) in three groups of participants (sound engineers, conductors, and non-experts). Participants (N = 24) rated a corpus of orchestral instrument sounds (N = 520) using Best-Worst Scaling. With this data-driven method, we sorted the sound corpus for each concept and population. We compared the population ratings and ran machine learning algorithms to unveil the acoustic portraits of each concept. Overall, the results revealed that sound engineers were the most consistent. We found that roughness is widely shared while brightness is expertise dependent. The frequent use of brightness by expert populations suggests that its meaning got specified through sound expertise. As for roundness and warmth, it seems that the importance of pitch and noise in their acoustic definition is the key to distinguishing them. These results provide crucial information on the mental representations of a metaphorical vocabulary of sound and whether it is shared or refined by sound expertise.

Identifiants

pubmed: 36997613
doi: 10.1038/s41598-023-32214-2
pii: 10.1038/s41598-023-32214-2
pmc: PMC10063581
doi:

Types de publication

Journal Article Research Support, Non-U.S. Gov't

Langues

eng

Sous-ensembles de citation

IM

Pagination

5180

Informations de copyright

© 2023. The Author(s).

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Auteurs

Victor Rosi (V)

Sound Perception and Design Group, STMS, Ircam - Sorbonne Université - CNRS - Ministère de la Culture, 1 Place Igor Stravinsky, 75004, Paris, France. rosivictor2@gmail.com.

Pablo Arias Sarah (P)

School of Psychology and Neuroscience, University of Glasgow, 62 Hillhead Street, Glasgow, G12 8QB, UK.
Lund University Cognitive Science, Lund University, Box 192, 221 00, Lund, Sweden.

Olivier Houix (O)

Sound Perception and Design Group, STMS, Ircam - Sorbonne Université - CNRS - Ministère de la Culture, 1 Place Igor Stravinsky, 75004, Paris, France.

Nicolas Misdariis (N)

Sound Perception and Design Group, STMS, Ircam - Sorbonne Université - CNRS - Ministère de la Culture, 1 Place Igor Stravinsky, 75004, Paris, France.

Patrick Susini (P)

Sound Perception and Design Group, STMS, Ircam - Sorbonne Université - CNRS - Ministère de la Culture, 1 Place Igor Stravinsky, 75004, Paris, France.

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