The Experience of Dancing Among Individuals with Cerebral Palsy at an Inclusive Dance Group: A Qualitative Study.

Cerebral palsy Disability Inclusive dance Laban method Qualitative Rehabilitation

Journal

Advances in experimental medicine and biology
ISSN: 0065-2598
Titre abrégé: Adv Exp Med Biol
Pays: United States
ID NLM: 0121103

Informations de publication

Date de publication:
2023
Historique:
medline: 16 8 2023
pubmed: 15 8 2023
entrez: 15 8 2023
Statut: ppublish

Résumé

Art practices such as dance have the potential to support people with disabilities. It is possible that through dancing, bodies that may be regarded as "deficient" can be strengthened while enhancing their personal and cultural identities. It is also possible that inclusive group dance classes can enable the integration of people with disabilities in their social context. However, there is limited research on how these potential benefits are experienced by participants. The purpose of this research is to describe the experience of people with cerebral palsy participating in regular dance classes. Semi-structured interviews were conducted with six participants with cerebral palsy who participated in an inclusive dance group that was informed by the creative approach of Laban. The interviews were transcribed, coded, and analyzed according to the thematic analysis of Braun and Clarke. The qualitative analysis software program ATLAS.TI version 8 was used for organizing and data analysis. The six interviews were analyzed and codified in four main categories: (1) the experience of cerebral palsy (the body does not help); (2) dance as a form of relationship with myself and the other; (3) the value of dancing and; (4) the dancer. These categories led to the creation of two subthemes: (a) the "unlocking" concerning the therapeutic effect of dance and (b) the "acquisition of a dancer's identity" by engaging with dance as an artform. An overall theme also emerged, "the passage from darkness to light." Individuals with cerebral palsy, while taking the risk of being physically "exposed" in dance classes and dance group performances, managed to unlock their bodies, develop connections with others, acquire the identity of a dancer, and move from "darkness" to "light."

Sections du résumé

BACKGROUND BACKGROUND
Art practices such as dance have the potential to support people with disabilities. It is possible that through dancing, bodies that may be regarded as "deficient" can be strengthened while enhancing their personal and cultural identities. It is also possible that inclusive group dance classes can enable the integration of people with disabilities in their social context. However, there is limited research on how these potential benefits are experienced by participants.
AIM OBJECTIVE
The purpose of this research is to describe the experience of people with cerebral palsy participating in regular dance classes.
METHODS METHODS
Semi-structured interviews were conducted with six participants with cerebral palsy who participated in an inclusive dance group that was informed by the creative approach of Laban. The interviews were transcribed, coded, and analyzed according to the thematic analysis of Braun and Clarke. The qualitative analysis software program ATLAS.TI version 8 was used for organizing and data analysis.
FINDINGS RESULTS
The six interviews were analyzed and codified in four main categories: (1) the experience of cerebral palsy (the body does not help); (2) dance as a form of relationship with myself and the other; (3) the value of dancing and; (4) the dancer. These categories led to the creation of two subthemes: (a) the "unlocking" concerning the therapeutic effect of dance and (b) the "acquisition of a dancer's identity" by engaging with dance as an artform. An overall theme also emerged, "the passage from darkness to light."
CONCLUSIONS CONCLUSIONS
Individuals with cerebral palsy, while taking the risk of being physically "exposed" in dance classes and dance group performances, managed to unlock their bodies, develop connections with others, acquire the identity of a dancer, and move from "darkness" to "light."

Identifiants

pubmed: 37581818
doi: 10.1007/978-3-031-31986-0_43
doi:

Types de publication

Journal Article

Langues

eng

Sous-ensembles de citation

IM

Pagination

443-456

Informations de copyright

© 2023. The Author(s), under exclusive license to Springer Nature Switzerland AG.

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Auteurs

Lydia Lentzari (L)

Department of Nursing, MSc "Neurological Disorders - Evidence Based Practice", University of West Attica, Athens, Greece. lentzlydi@yahoo.gr.

Evdokia Misouridou (E)

Department of Nursing, MSc "Neurological Disorders - Evidence Based Practice", University of West Attica, Athens, Greece.

Vicky Karkou (V)

Research Center for Arts and Wellbeing, Edge Hill University, Ormskirk, UK.

Marianthe Paraskeva (M)

School Nurse, Special Vocational Secondary School, Egaleo, Athens, Greece.

Chrysoula Tsiou (C)

Department of Nursing, MSc "Neurological Disorders - Evidence Based Practice", University of West Attica, Athens, Greece.

Ourania Govina (O)

Department of Nursing, MSc "Neurological Disorders - Evidence Based Practice", University of West Attica, Athens, Greece.

Antonia Kalogianni (A)

Department of Nursing, MSc "Neurological Disorders - Evidence Based Practice", University of West Attica, Athens, Greece.

Stelios Parissopoulos (S)

Department of Nursing, MSc "Neurological Disorders - Evidence Based Practice", University of West Attica, Athens, Greece.

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