Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries.


Journal

Nature human behaviour
ISSN: 2397-3374
Titre abrégé: Nat Hum Behav
Pays: England
ID NLM: 101697750

Informations de publication

Date de publication:
04 Mar 2024
Historique:
received: 22 08 2021
accepted: 07 12 2023
medline: 5 3 2024
pubmed: 5 3 2024
entrez: 4 3 2024
Statut: aheadofprint

Résumé

Music is present in every known society but varies from place to place. What, if anything, is universal to music cognition? We measured a signature of mental representations of rhythm in 39 participant groups in 15 countries, spanning urban societies and Indigenous populations. Listeners reproduced random 'seed' rhythms; their reproductions were fed back as the stimulus (as in the game of 'telephone'), such that their biases (the prior) could be estimated from the distribution of reproductions. Every tested group showed a sparse prior with peaks at integer-ratio rhythms. However, the importance of different integer ratios varied across groups, often reflecting local musical practices. Our results suggest a common feature of music cognition: discrete rhythm 'categories' at small-integer ratios. These discrete representations plausibly stabilize musical systems in the face of cultural transmission but interact with culture-specific traditions to yield the diversity that is evident when mental representations are probed across many cultures.

Identifiants

pubmed: 38438653
doi: 10.1038/s41562-023-01800-9
pii: 10.1038/s41562-023-01800-9
doi:

Types de publication

Journal Article

Langues

eng

Sous-ensembles de citation

IM

Subventions

Organisme : James S. McDonnell Foundation (McDonnell Foundation)
ID : Scholar Award

Informations de copyright

© 2024. The Author(s).

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Auteurs

Nori Jacoby (N)

Computational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany. nori.jacoby@ae.mpg.de.
Presidential Scholars in Society and Neuroscience, Columbia University, New York, NY, USA. nori.jacoby@ae.mpg.de.

Rainer Polak (R)

RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Blindern, Oslo, Norway.

Jessica A Grahn (JA)

Brain and Mind Institute and Department of Psychology, University of Western Ontario, London, Ontario, Canada.

Daniel J Cameron (DJ)

Department of Psychology, Neuroscience and Behaviour, McMaster University, Hamilton, Ontario, Canada.

Kyung Myun Lee (KM)

School of Digital Humanities and Social Sciences, Korea Advanced Institute of Science and Technology, Daejeon, Republic of Korea.
Graduate School of Culture Technology, Korea Advanced Institute of Science and Technology, Daejeon, Republic of Korea.

Ricardo Godoy (R)

Heller School for Social Policy and Management, Brandeis University, Waltham, MA, USA.

Eduardo A Undurraga (EA)

Escuela de Gobierno, Pontificia Universidad Católica de Chile, Santiago, Chile.
CIFAR Azrieli Global Scholars programme, CIFAR, Toronto, Ontario, Canada.

Tomás Huanca (T)

Centro Boliviano de Investigación y Desarrollo Socio Integral, San Borja, Bolivia.

Timon Thalwitzer (T)

Department of Musicology, University of Vienna, Vienna, Austria.

Noumouké Doumbia (N)

Sciences de l'Education, Université Catholique d'Afrique de l'Ouest, Bamako, Mali.

Daniel Goldberg (D)

Department of Music, University of Connecticut, Storrs, CT, USA.

Elizabeth H Margulis (EH)

Department of Music, Princeton University, Princeton, NJ, USA.

Patrick C M Wong (PCM)

Department of Linguistics & Modern Languages and Brain and Mind Institute, Chinese University of Hong Kong, Hong Kong SAR, China.

Luis Jure (L)

School of Music, Universidad de la República, Montevideo, Uruguay.

Martín Rocamora (M)

Signal Processing Department, School of Engineering, Universidad de la República, Montevideo, Uruguay.
Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain.

Shinya Fujii (S)

Faculty of Environment and Information Studies, Keio University, Fujisawa, Japan.

Patrick E Savage (PE)

Faculty of Environment and Information Studies, Keio University, Fujisawa, Japan.
School of Psychology, University of Auckland, Auckland, New Zealand.

Jun Ajimi (J)

Department of Traditional Japanese Music, Tokyo University of the Arts, Tokyo, Japan.

Rei Konno (R)

Faculty of Environment and Information Studies, Keio University, Fujisawa, Japan.

Sho Oishi (S)

Faculty of Environment and Information Studies, Keio University, Fujisawa, Japan.

Kelly Jakubowski (K)

Department of Music, Durham University, Durham, UK.

Andre Holzapfel (A)

Division of Media Technology and Interaction Design, KTH Royal Institute of Technology, Stockholm, Sweden.

Esra Mungan (E)

Department of Psychology, Bogazici University, Istanbul, Turkey.

Ece Kaya (E)

Max Planck Research Group 'Neural and Environmental Rhythms', Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Cognitive Science Master Program, Bogazici University, Istanbul, Turkey.

Preeti Rao (P)

Department of Electrical Engineering, Indian Institute of Technology Bombay, Mumbai, India.

Mattur A Rohit (MA)

Department of Electrical Engineering, Indian Institute of Technology Bombay, Mumbai, India.

Suvarna Alladi (S)

Nizam's Institute of Medical Sciences, Hyderabad, India.

Bronwyn Tarr (B)

Department of Cognitive and Evolutionary Anthropology, University of Oxford, Oxford, UK.
Department of Experimental Psychology, University of Oxford, Oxford, UK.

Manuel Anglada-Tort (M)

Computational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Department of Psychology, Goldsmiths, University of London, London, UK.

Peter M C Harrison (PMC)

Computational Auditory Perception Group, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Faculty of Music, University of Cambridge, Cambridge, UK.

Malinda J McPherson (MJ)

Department of Brain and Cognitive Sciences, Massachusetts Institute of Technology, Cambridge, MA, USA.
Program in Speech and Hearing Biosciences and Technology, Harvard University, Cambridge, MA, USA.
McGovern Institute for Brain Research, Massachusetts Institute of Technology, Cambridge, MA, USA.

Sophie Dolan (S)

Department of Brain and Cognitive Sciences, Massachusetts Institute of Technology, Cambridge, MA, USA.
Department of Brain and Cognitive Sciences, Wellesley College, Wellesley, MA, USA.

Alex Durango (A)

Department of Brain and Cognitive Sciences, Massachusetts Institute of Technology, Cambridge, MA, USA.
McGovern Institute for Brain Research, Massachusetts Institute of Technology, Cambridge, MA, USA.
Neurosciences Graduate Program, Stanford University, Stanford, CA, USA.

Josh H McDermott (JH)

Faculty of Music, University of Cambridge, Cambridge, UK. jhm@mit.edu.
Program in Speech and Hearing Biosciences and Technology, Harvard University, Cambridge, MA, USA. jhm@mit.edu.
McGovern Institute for Brain Research, Massachusetts Institute of Technology, Cambridge, MA, USA. jhm@mit.edu.
Center for Brains, Minds & Machines, Massachusetts Institute of Technology, Cambridge, MA, USA. jhm@mit.edu.

Classifications MeSH