'Unmasking Pain' through creativity: A phenomenological study of person-centred pain exploration for people living with chronic pain.


Journal

PloS one
ISSN: 1932-6203
Titre abrégé: PLoS One
Pays: United States
ID NLM: 101285081

Informations de publication

Date de publication:
2024
Historique:
received: 17 04 2024
accepted: 30 09 2024
medline: 30 10 2024
pubmed: 30 10 2024
entrez: 30 10 2024
Statut: epublish

Résumé

'Unmasking Pain' is an innovative artist-led project to explore creative approaches for telling stories of life with persistent pain. The purpose of this qualitative study was to explore and describe the lived experience of taking part in 'Unmasking Pain' from the perspectives of people living with pain (workshop attendees), artists (workshop facilitators) and pain rehabilitation specialists. Informed by descriptive phenomenology, data was collected via semi-structured interviews with three artists (workshop facilitators), five workshop attendees (all living with persistent pain) and one pain rehabilitation specialist. Data was analysed using thematic analysis for descriptive phenomenology. Three themes emerged from the analysis: Theme 1 Space to Breathe, reflects the context of 'Unmasking Pain' such as the conditions, environment and setting that people experienced; Theme 2 Flexibility to Participate, reflects the experience of the process of 'Unmasking Pain' such as the actions or internal workings/behaviours of the experience; and Theme 3 Possibility for Change, reflects the cognitive or emotional experience of 'Unmasking Pain'. There were nine sub-themes: 1(a) Dissolved hierarchy, 1(b) Human connection, and 1(c) Personally meaningful; 2(a) Go with the flow, 2(b) Enjoyable experience, and 2(c) Curiosity to step into the unknown; and 3(a) Reforming pain, 3(b) Liberating in the moment (now), and 3(c) Gives you a boost (future). In conclusion, the uniqueness of 'Unmasking Pain' was to creatively facilitate curiosity and exploration of pain in a non-clinical, sociocultural, humanised context, to enable the possibility of a different pain experience. The findings from this qualitative study exploring the lived experience of taking part in 'Unmasking Pain' demonstrates the power and opportunity of the Arts sector and artist-led activities to support people with chronic pain to have a better pain experience.

Identifiants

pubmed: 39475906
doi: 10.1371/journal.pone.0312014
pii: PONE-D-24-11622
doi:

Types de publication

Journal Article

Langues

eng

Sous-ensembles de citation

IM

Pagination

e0312014

Informations de copyright

Copyright: © 2024 Thompson et al. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

Déclaration de conflit d'intérêts

All authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest. MIJ wishes to declare that in the previous 5 years, his employer has received income for expert consultancy activities from GSK plc, TENSCare Ltd, and LifeCare Ltd. that lie outside of the submitted work. MIJ also declares book royalties from Oxford University Press. This does not alter our adherence to PLOS ONE policies on sharing data and materials.

Auteurs

Kate Thompson (K)

Centre for Pain Research, School of Health, Portland Building, Leeds Beckett University, Leeds, United Kingdom.

James Milligan (J)

Centre for Pain Research, School of Health, Portland Building, Leeds Beckett University, Leeds, United Kingdom.

Angela Murphy (A)

Centre for Pain Research, School of Health, Portland Building, Leeds Beckett University, Leeds, United Kingdom.

Ghazala Tabasam (G)

Centre for Pain Research, School of Health, Portland Building, Leeds Beckett University, Leeds, United Kingdom.

Mark I Johnson (MI)

Centre for Pain Research, School of Health, Portland Building, Leeds Beckett University, Leeds, United Kingdom.

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