Analogies in 3D molecular visualisations: development of a cell biology animation 'How cells move - a new interpretation of old data'.


Journal

Journal of visual communication in medicine
ISSN: 1745-3062
Titre abrégé: J Vis Commun Med
Pays: England
ID NLM: 101254059

Informations de publication

Date de publication:
Jan 2020
Historique:
pubmed: 24 10 2019
medline: 18 11 2020
entrez: 24 10 2019
Statut: ppublish

Résumé

Cell biology and imaging technology have vastly improved over the past decades, enabling scientists to dissect the inner workings of a cell. In addition to technical limits on spatial and temporal resolution, which obscure the picture at the molecular level, the sheer density and complexity of information impede clear understanding. 3D molecular visualisation has therefore blossomed as a way to translate molecular data in a more tangible form. Whilst the molecular machinery involved in cell locomotion has been extensively studied, existing narratives describing how cells generate the forces that drive movement remain unclear. Polymerisation of a protein called actin is clearly essential. The general belief in the cell migration field is that actin polymerisation's main role is to push the leading edge of the cell forwards, while the rest of the cell follows passively. The cell migration & chemotaxis group at the CRUK Beatson Institute propose an alternative hypothesis, in which actin filaments constitute cables. Motor proteins pull on these cables, causing them to behave like the treads of a tank and drive cell movement. This article describes the development of a 3D animation that uses analogical reasoning to contrast the 'tank' hypothesis for cell locomotion with the current dogma.

Identifiants

pubmed: 31642358
doi: 10.1080/17453054.2019.1671814
doi:

Substances chimiques

Actins 0

Types de publication

Journal Article

Langues

eng

Sous-ensembles de citation

IM

Pagination

35-46

Auteurs

Shereen R Kadir (SR)

3D Visualisation Aesthetics Lab, University of New South Wales Art and Design, Sydney, NSW, Australia.
The School of Simulation and Visualisation, Glasgow School of Art, Glasgow, UK.

Robert H Insall (RH)

Cancer Research UK Beatson Institute, Glasgow, UK.

Gillian Moffatt (G)

The School of Simulation and Visualisation, Glasgow School of Art, Glasgow, UK.

John McGhee (J)

3D Visualisation Aesthetics Lab, University of New South Wales Art and Design, Sydney, NSW, Australia.

Daniel Livingstone (D)

The School of Simulation and Visualisation, Glasgow School of Art, Glasgow, UK.

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